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Camera
Operator |
Laurence
Avenet-Bradley |
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First Assistant
Camera |
Daniel
Bellury |
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Production
Sound |
Preston
Thibadoux |
| |
Key Grip |
Joshua
Sanders |
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Grip /
Electric |
Matt Cyr |
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First Assistant
Director |
Daniel
Bellury |
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2nd Unit
Photography |
|
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First Assistant
Camera |
Sarah Paul |
| |
Key Grip |
Barnes
Walker III |
| |
Grip |
Bob Mahoney |
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Production
Sound |
Matt Cyr |
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Fake Weapons |
Toby Sells |
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Post Mortem
Productions |
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Special
FX Contacts |
9mm Special
Effects |
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|
Kevin Carter |
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Set Design |
Preston
Thibadoux |
| |
|
Joshua
Sanders |
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|
Daniel
Bellury |
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Set Construction |
Matt Cyr |
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Locations
Provided by |
|
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Factory |
Mike Nation |
| |
Steve's
Office |
Milligan,
Barry, Hensley & Evans |
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Park |
City of
Atlanta |
| |
Wagner's
House |
Wayne &
Theresa Thatcher |
| |
Basement
|
Jon &
Leigh Hill |
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Sound Engineer |
Mark Lee
Fletcher |
| |
Foley Engineer |
Laurence
Avenet-Bradley |
| |
Foley Artist |
Barnes
Walker III |
| |
Sound Design |
Brian Avenet-Bradley |
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Mark Lee
Fletcher |
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Film Transfer |
Electric
Transfer |
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Colorist |
Joseph
Donini |
| |
Kodak representative |
Janet Tiller |
| |
Tripod
& Sound gear |
Eastern
Video Corp |
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|
John Edenfield |
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Dolly |
Mike Green |
| |
Laughing
Skull Beer |
Micheal
J. Benoit |
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Big Time
Marketing |
| |
Fine-Art
Photographs |
Laurence
Avenet-Bradley |
| |
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Father's
Truck |
John &
Marsha Herring |
| |
|
Mike Starkey |
| |
Richard's
Car |
Preston
Thibadoux |
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